26 years of gestation, a slow but precise maturation, lead us to the urge, almost the necessity of doing a label, one that will bring further the music and the culture rex club always fought for. and here we go ! after 26 years of existence, of countless beautiful nights given to generations of clubbers, its with the same high standards rex club is now starting a new adventure : rex club music. a new entity is born, a label that reflects the club : eclectic and on the edge, where residents, newcomers and internationally acclaimed artists take turns. an effervescence, just like the club and its bookings, open but also faithful. original tracks, eps, remixes, the platform is open, only one rule : quality and the same intransigence that made rex club what it it is today : a temple for electronic music. we couldnt expect less : * second hand smoke* hits hard and raises the bar high. somewhere between the worlds of bassculture and robsouls, d julz and phil weeks respective labels. they confront their visions and join their talents on this ep thats just like them : energetic, groovy and sexy. fresh and vitamin filled, with its catchy and steady kick...

limited tape release from count 0 co-founder adam askov aka second heart, featuring 3 tracks in a continuous mix.

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

feat. pan-pot, philipp ruhmhardt, clint stewart!

vinyl only release.

vinyl only - ltd. 200 copies low stock

wie auch bei seiner ersten -warpaint ep-, steht hinter der neuen -throwing stones ep- von clint stewart das musikalische konzept mit je zwei verschiedenen stimmungen auf jeweils einer seite der platte. -throwing stones- ist ein track, der sich am wohlsten in clubs mit einer dunklen, mysteriösen atmosphäre mit strobe lights fühlt. -come undone- hingegen steht mit seinen warmen und rhythmischen akzenten im kontrast zur a-seite.

red royalty is about to take a step outside of his realm of music abrasion. his debut ep spirit is the first in a row of raw and obscure techno jams to come. you can expect these future classics on his own imprint second voyage.

stephan hinz meldet sich mit seinem zweiten release zurück auf second state. auf der a-seite schließt hinz mit throwl an seinen letzten release >doch< von der hinz & ruhmhardt >panther ep< an: ein treibender techno-track mit markanter synthline. die flipside wird mit >ignite< psychedelisch und schafft es, durch einen langen aufbau und das immer wiederkehrende thema sich in den köpfen der hoerer festzusetzen

ltd 2016 repress
andres second ep on his own la vida label, following up the label debut new for u, which has been one of the biggest records of 2012. the second time around ep features the single skate this way, a house tune with epic strings guaranteed to bang the dance floor. on the flip is second time around and hart plaza both originally released on kdj records, but here we new versions with additional keys courtesy of detroits own amp dog knight. another essential release from andres...

auch bei dem zweiten pan-pot release auf ihrem label second state erfüllt das techno-duo alle erwartungen. lasst euch von dem grau in dem titel „grey matter“ nicht täuschen. dieser track leuchtet feuerrot wie auch die vocals unterstreichen: „we’re burning“! auf der anderen seite zeigen pan-pot mit „substance“, wie man die spannung bei einem titel ins unermessliche steigert. immer kurz davor mehr zeigen zu wollen nimmt sich der track wieder zurück und hält das schöne, aufgeregte gefühl am siedepunkt.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

the first release on second voyage is a self-titled ep with exotic pumping house jams. imagine mr. kurtz in heart of darkness doing this instead of chopping heads off.

repress 2014 - next up in the 10 inch series on mos_deep another heavy 2-tracker of d marc cantu, which will be followed by a (mini)-album later this year. the opening track is a fierce chicago-styled banger kicking off with an extremely solid and frantic bassline while d marcs low-pitched voice asks us >how are we doing?<. the track slowly evolves into a deep and atmospheric masterpiece with spatial strings slowly expanding throughout the track.
>how are we doing?< is counter-balanced by the fragility and subtlety on the flipside. >a second earth< is a laid-back and emotional retro-futuristic techno track overflowing with sadness and melancholy, echoing the sounds of the artificial-intelligence era. like a lost vessel drifting through space this track captivates and terrifies at the same time. a beauty and a beast!

us-dj clint stewart ist berliner clubgängern bestens bekannt (tresor, bar25, watergate). für seine erste solo-ep gab es keinen besseren start, als mit seinem langjährigen freund und musikalisch gleichgesinnten künstler tone of arc zu kooperieren. -warpaint- ist ein sinnlich-darker trip mit emotionalem wolfsgeheul über einem schonungslosen beat und subbass mit deepen vocals, der einen erstarren lässt und den man nie vergisst. -look into the sun- dagegen ist ein warmer piano-sommer-tune im sonnenlicht.

hard, deep, hypnotic techno! vinyl only!

das berlin-kölner duo, bestehend aus (stephan) hinz und (philipp) ruhmhardt, kommt auf seiner ersten ep auf pan-pots second state audio-label mit vollgas angestürmt. doch! eine mahlende und unbarmherzige kick, eine hi-hat und snare combo, die ohne frage selbst die willenstärksten in ihren bann zieht und den ganzen dancefloor bezwingt. panther! diese reise kommt nicht nur im titel direkt auf den punkt. knurrender synth, flirrende athmo, treibender puls aus drums. - panther - frisst dich bei lebendigem leib und das fühlt sich gut an.

irishman john daly takes a rare break from his one track label and delivers his magic to the tanstaafl planets imprint. floating house and spacey techno on the b-side that seamlessly merge daly and tanstaafls aesthetics, while the a-side delivers a pulse raising new fusion of jacking swing and dubby synths. john daly cant do much wrong!

nach ihrer letzten ep auf mobilee im oktober 2013 erscheint pan-pots neue 2 track ep auf ihrem eigenen label second state audio. cells und third eye sind die ersten beweise dafuer, dass das duo nach 10 jahren ein neues kapitel ihrer musikalischen reise aufgeschlagen hat. waehrend cells sich auf die synthline konzentriert, die beide gepackt hat, und die im laufe des tracks ihre ganze dynamik und volumen entfaltet, wurde third eye aus der idee einer konstant nach vorne schraubenden, hypnotischen bassline geboren, deren hypnotik sich in den kopf des zuhoerers bohrt und ihn suechtig macht

future sickness records presents his 17th vinyl release. this time future sickness welcomes detest to the family! this record represents the whole range of typical detest sound in two tracks. dark, raw, varied , straight and always mixed with breaks. both tracks possess melodies, atmospheric synths, deep basslines, flogging snares and a package full of sick kickdrums. they are still 2 complete different crossbreed tracks. the sound quality of the tracks are clear, loud and dominant. no doubt one of the best works of detest yet. this release is an instant dancefloor banger!

long-awaited second release on japanese-based nakayoshi use only from label owner ken wood aka k.w.following the success of last years massive welcome to the club he now turns his re-edit magic on two more classic tracks.

samuli kemppi may have begun in warm house climes as the duo sam & gigi, but he has since found his niche and fame sound tracking the deep and icy black recesses of space. 2009s komisch debut, deep space helsinki ep, birthed the galactic signature that would come to define his solo techno output for labels like prologue, mote-evolver and perc trax, meanwhile cementing his stylistic meanderings to a single, albeit flexible, narrative. parallax of one second ep is samuli kemppis third outing on m rec ltd, after the full cyclic model ep and remix inclusion on ben gibsons more than milk, and sees the fin plundering the astronomic theme once again with stellar sci-fi precision.

firm yet seductive detroit-rooted techno tracks by johannes volk (axis, exploration, life) all with his trademark 909 drum programming and hypnotic synth- & basslines, perfectly connecting past with the present. deep, raw, stomping, grooving, rocking and no-nonsense... this will move the crowd. featuring an even deeper & rawer remix by unbalance

black tekno emerges from the undercurrent of chicago with its first release, an acid infused, floor jacking four track ep from noleian reusse entitled *second language*. the songs here are aimed at the dancer, ranging from emotional sci fi to straight up party jams. all tracks were recorded live - hands on the keys, knobs and faders of noleian’s analog hardware setup.

2-nd vinyl only rel. in a brand-new series of heavily textured, hypnotic and puristic techno.

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

nice price deal !!! 10 inch limited edion, hand stamped, vinyl only , limited to 200 copies

third studio album from the stone roses, originally released in 1994, now back on 180 gram double vinyl, housed in a gatefold sleeve.

after the great album the second son, again mathematics welcomes john heckle

fourth wave are proud to announce the debut release of felix lenferink. hailing from the netherlands, felix looks set to follow in the footsteps of countrymen martyn, 2562 & 4ths very own presk with his techno heavy sound. delivering two tracks of percussive broken techno with cheeky synth stabs, first bouree strides into the club, necks some jagers, and proceeds to the dancefloor with great aplomb. second bouree is stranded in the middle of the dancefloor at 5am surrounded by strangers wondering what the fuck is going on.

hem presents more chugging grooves from the express, here with a mixture of pure sunshine and raw sounds from the underground. remixes from hems shutter and legend inigo kennedy!

shadow dancer is coming back with their 6th release for boysnoize records. paul and al farrier could be considered bnr veterans. with their consistently quality tracks and electryfying live and dj performances they have established themselves as one of top electronic artists around. the new ep is filled with futuristic deep, techno and classic electro (yess electro!!) sounds and the good stuff you need to get down to the floor. second city & jamma show their pure manchester warehouse style, where mashine code goes totally old-nu-school doppeleffektish and when we heared voice tracer we imediately thought of raster noton. thank you shadow dancer! the 4 track ep will be available on vinyl and as a digital download on the 16th of april. out on boysnoize records, april 16th 2012

das nächtliche gemunkel am tresen bei bier und klaren war irritierend gewesen: aufs neue album, so drummer zimmermann und basser strohmeier, würde das lo fat orchestra auch kinderchöre und ein streichquartett packen. man dachte mit grauen an the wall, konzeptalben-bombast, artrockkacke und hoffte halb, das sei nur der berüchtigte schwarzwälder humor. jetzt ist the second word is love da. nicht mit kinder- aber mit chören und natürlich mit streichquartett. die befürchtungen zerbröseln im nu, wenn im opener be honest die bassdrum nagelt, die elektrizität in der luft rauscht und singt, bevor der sägezahnbass und schmids gesang und orgel einsetzen. alles gut! alles besser! alles: mehr!

three deep techno tracks on this new ep from claro intellecto! since emerging in 2003, uk man claro intelecto has pursued the deeper side of techno, and now makes his delsin debut with a 3 track ep entitled second blood, which precedes the release of his full length album on the same label in march 2012.

selected advent deal - kondens is collaboration between swedish electronic music veterans andreas tilliander aka mokira and stefan thor aka folie. the sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. pure peak time bliss without losing the love for dub and tape delays. the vinyl debut, first cut ep, was a success. the second coming in now here including a breathtakingly beautiful substance remix.

for its second kiss, stolen kisses reached out to bnjmn, one of 2011s most promising artists. with nimble synth melodies that leap over burbling sub-bass with the grace and poise of ballet dancers, >nightvision< quickly distinguishes itself as more accessible but equally detailed as the tracks on the uk producers breakthrough album, >plastic world<. it is paired with a remix by fellow uk producer andy stott, a core member of the modern love family. fresh off his revelatory >passed me by< 2x12, stott drags >nightvision< into his lair to refashion it as a gritty, slo-mo beatdown. his sonic gremlins gnaw new textures into familiar progressions and set off sub-bass clusterbombs, daring djs to unleash the remix on a sizable sound system.

the sixth release on the excellent parisian imprint my love is underground comes from inner sense - aka french producer henri fontaine - who serves up only his second ever solo release (his first was back in 2006!) sprawled across the a-side you will find >lowdown<, a jam that brings to mind the output of new york house dons masters at work (indeed look closely at the centre of this record and you will see the totally appropriate inscribing >1993 forever<). swirling chords combine with a thumping kick, stuttering keys and, of course, a killer vocal wail for a slice of what can only be described as proper house music. >wanna dub with u< opens proceedings on the flip with the kind of thumping bass drum and funk-infused skipping hats that would make it a snug fit in the kerri chandler back catalogue and, again, the vocals are absolutely gorgeous. finally, >rawllin< wraps up the ep on a more stripped back yet equally groovy tip. limited to 500 copies on rather fetching 180g orange vinyl - essential.

classic 2002 release, ltd repress. inner love is a deep grooving soulful house gem by second life feat jimmie wilson on vocals. includes a black keys rework

after being introduced with his >life on titan ep< on mathematics this dope rising producer brings his debut full-length containing some of the best & freshest sounding material of present day house. dirty beats, lo-fi gritty melodies with mind crushing energy. this is essential. 10 tracks total

this is one of those timeless tracks that you still hear played out today. when it was released, orbit 1.3 was played by pretty much every representative of the tech-house sound - it featured on mixes by craig richards & lee burridge, doc martin, dj garth, sean cusick, dj three, and many more besides. not only that, but its appeal spread as far as the progressive fraternity and those of more traditional house sounds. its a deep throbbing epic with a haunting vocal sample and that indescribable >x factor< that makes a classic track.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

mixes by reel people and blaze.

reel peoples >second guess< in the remix by grant nelson and da lata.

soulful and jazzy house & downtempo by the reel people, released in 2003.